![]() ![]() If you would like to be able to open old projects, you will need to keep the previous version of Cinematic Studio Strings as a backup. If you bought CSS prior to 30 August 2022, and have not yet updated, please note that the new version is designed to completely replace the original version, therefore your old projects will not work properly. This not only sounds more realistic, but also makes the x-fade system more seamless and straightforward. In the previous version of CSS I’d used simulated legato transitions, and while I didn’t record any new material for Version 1.7.1, I developed a technique to significantly improve the sound of these simulated transitions by editing the with-vibrato samples to create an all-new set of non-vibrato legato transitions. Lastly, I have also improved the non-vibrato legato transitions. I also improved the relative dynamic response between short note types, making it easier to switch between spiccato, staccatissimo (etc) without needing to pay as much attention to your playing velocity. In addition to these two factors, I also introduced a new “Low latency” mode, making it much easier to perform passages in real-time.Īll of the short notes in CSS, both bowed and plucked, have been re-edited to ensure better consistency of timing and length. This makes sequencing legato easier, particularly because it lessens the need for intensive “sculpting” of the dynamic modulation. I spent a (very) long time re-editing all of the legato transition samples, not only to significantly improve the timing, but also to ensure a more consistent volume envelope. ![]() These were mixed together into a single stereo track in the original version of CSS, but in version 1.7.1, you can now control them independently, allowing you much greater freedom to create your own customised sound. Having said that, I really encourage you to experiment with the two spot microphones. I spent a long time getting this balance right, and I feel that this mix should work well in a wide variety of styles and genres. The new mix mic is roomier, yet more detailed – lush, yet powerful. Playing a fast legato line will trigger the runs mode – you don’t need to enable anything or switch anything on or off – just play fast, and the script will do the rest for great-sounding runs. You can play a snappy series of short notes, or a slower, more grand series of accented long notes. Play harder on the keyboard for a more pronounced attack, or to exaggerate a note within a legato phrase. The new marcato articulation is much more powerful – it’s punchy, full of energy and grit, and can easily pull off fast, agile phrases with minimal editing. ![]() There are added features like runs and low-latency legato – almost every aspect of the library has been improved, from the sound quality itself, to the editing consistency and scripting, and much more. My original plan was to use the internal SSD for storing samples and audio and MIDI files and add an external SSD for backup.This new version of CSS is the result of 2 years of painstaking work. My iMac also has an internal 2TB Apple SSD. It has (2) Thunderbolt 3 (USB-C) ports and (4) USB-A ports. My 2020 27-in iMac supports Thunderbolt and USB 3.1 Gen 2. Am I limited to a SATA drive and would that be adequate for this purpose? My understanding is that the iMac does not support NVMe. I've looked at posts on this forum and others where members are recommending NVMe compatible drives like the Samsung 970 EVO Plus NVMe M.2. If you or other members can help, I would appreciate it.įirst, what sort of external drive do I really need for the purpose of storing my sample libraries with sample purging and reading samples from the external drive as they are used? And second, is the recommended external drive technology compatible with the iMac? So, I have some "beginner" sorts of questions about external drives for the iMac.
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